I work at a big TV network and it's been a real pain with the lack of pro Mac hardware (our IT will only support Macs right now). So our studio is mostly using relatively recent 5k iMacs. Does layer order in the timeline matter? Lights above/below text layers.Using a different falloff? Or shadow diffusion? They seem pretty basic but maybe there is something in how AE handles them.

How do light settings transfer? Is there some optimal mix that will speed up rendering.Does the format of my footage make a difference? Would a TGA sequence render faster using the C4D Renderer?.For example I almost always make my C4D projects with Ray Depth at 5, unless I really need the detail. It would of course be nice to individually edit the C4D render options in AE instead of having this one size fits all slider. I'm looking for additional things to try. Precomp text using 'Cinema 4D Renderer' inside a Classic 3D comp.Less lights - no discernable change, sometimes better.I've compared just the type in AE to C4D and of course C4D renders much faster, but I don't see why. 50%Ħ lights, inverse squared falloff, no shadows Specifically each comp has the following:ģ layers of type - 2px, convex bevel, 10px extrusion, does not cast shadows, Refl. I've tried a lot of different things with mixed results. My question is how to optimize the project for the fastest rendering.Ĭurrently each 10s comp takes about 10 minutes to render, which is an eternity to the editors. Ultimatly the comps are imported into Premiere using Dynamic Link and is versioned using Live Type. After rendering out all the backplates and importing them into AE along with the camera, I'm then putting those into a comp utilizing the 'Cinema 4D Renderer' and creating the 3D type. Each comp starts as a standard 3D project in Cinema 4D. I have a project that is making extensive use of 3D type inside After Effects, but I'm having some perfomance issues.

Cinema 4d renderer after effects